This weekend I went to a kind of food fair, a Taste of Braddon, a suburb that some are calling the hipster suburb of Canberra. A couple of streets that not long ago were the place to go if you wanted to buy or repair a car have now been transformed into the place to eat hip food all day, drink coffee in the mornings and anything else you’d like in the evenings.
A Taste of Braddon is happening because it’s November, it’s warm, and the foodies of the inner suburbs are happy to be out in the sunshine. The ice cream limousine is sure to attract a lot of customers, even if it’s just for a look.
I would have been more tempted to buy a cone full of gelato if I’d not just finished a large cappuccino made by Ben the barista (my son) from the Lonsdale Street Roasters stall. The colourful shop-in-a-limo attracted a lot of children (not that they could have bought an ice cream without a debit card…). But isn’t it a great idea? One thing was curious: the fridge was running on a generator sitting on the grass off to the right, but how did they transport it without it all melting?
Only one more month to go in Cardinal Guzman’s seasonal photo challenge. Check out his Norwegian Oktober.
Midway upon the journey of our life I found myself in a dark wood, where the right way was lost.
Opening line of Canto 1, “Hell”, The Divine Comedy, Dante, completed 1320, translated by Charles Eliot Norton.
Dante has lost the “right way” and hopes to find it before he grows old. But he begins his work “Midway upon the journey of our life”, that is, when he was about 43, though it was not midway for him; he died at 56.
Many of us live long past 56, though some old people seem to be still in the dark wood that comes with weariness and a tired mind, a thought that occurred to me this week in the National Gallery of Australia where thirteen old men in electric wheelchairs are rolling around a room aimlessly, dozing, sleeping, or staring into space. They’re not real. They’re an exhibit by Sun Yuan and Peng Yu, “Old People’s Home”, part of the Hyper Real sculpture exhibition.
Unlike Dante I’m not in a dark wood turning over thoughts of hell, purgatory and heaven. I’m pretty sure I’m not going to purgatory, but I’m not so certain I won’t end up in its earthly counterpart as a model for the two Beijing artists when they create the female version of Old People’s Home.
In October around Canberra there are fetes and fiestas and spring celebrations. This one is called Party at the Shops.
It’s on today. There are dancing schoolgirls, a big band and sausage sizzle, Thai food and a jumping castle. There’s also a home-made lemonade stand. Note that the signs don’t just offer lemonade. Let’s hope the preschoolers visiting their stand can’t read, or else they might ask for Carlton Dry or Iron Jack lager or rum or whisky or Vodka Cruiser.
The weather is superb, perfect for dancing outdoors. The girls danced to Michael Jackson (above) and Bollywood (below), and in between there was an umbrella dance to Gene Kelly’s Singin’ in the Rain. Note the fairness of their skin, the result of being covered up for months during the long Canberra cold season. Quite a contrast to coastal skin which is, on most people in this country, tanned.
Black and white photos of my everyday life. Day two: Fountain.
The Captain Cook Memorial Jet in Lake Burley Griffin, Canberra, shoots water 152 metres high for about four hours a day. In moderate wind the fountain spray forms a transparent curtain across the lake. In strong wind it’s turned off to prevent a water hazard on the nearby bridge.
Photo taken during a visit this week to the National Library to read Pierrots on the Stage of Desire, a history of 19th-century French pantomime.
Inspiration from anevolvingscientist.org (on his Facebook page).
Five photos of my everyday life, in black and white. Day one, fungus.
My gardens have just had a professional makeover. The gardener re-made four identically shaped gardens with the same range of plants repeated in each. But in one of them, under and around a grevillea, a leathery tan fungus is growing, apparently not a bad thing. It’s possibly a saprophytic cup fungus feeding on the rotting forest litter used as mulch. I just spotted it a couple of days ago. It’s a real head-turner and typically evokes this reaction: Whoa, what’s that?
Ken, anevolvingscientist.org, came up with this photo challenge. Many thanks!
On 1st September the Australian spring officially sprang. While those north of Canberra may think it might as well still be called winter down here, the inhabitants of this capital can see the seasonal signs that temperatures are slowly slowly creeping up.
Before yesterday, before 6.12am yesterday, I could’ve said I’d lived in Canberra for 20 years and had never seen the sun rise over Lake Burley Griffin. Now I can say I have. I rose at 5 to get to the lake for the ephemeral moment of joy at 6.12. It wasn’t the cloudy, fiery sunrise of the previous morning (see Brand New Day), it wasn’t breathtaking like the dawn seen by rowers in winter fog. There were no orange clouds and no pastel mist; it was an absolutely clear sky giving me a brilliant start to the day. Sure, the temperatures were not springy. It was 3 degrees when I left home at 5.45, barely 1 degree down at the lake, then after an hour of sunrise-watching it had warmed up to 4, but back home it was down to 2.
Still, this post is about the signs of changing seasons. If the dawn temperature has improved little since winter, it’s evidently spring when the trees are slowly putting on their new clothes. Some even burst out in flower before leaf. A close look at the branches highlit by the new sun reveals tiny prunus bouquets here and there.
That moment when the ball of fire that is our sun appears in full over the horizon is always a head-turner. It’s hard to believe I didn’t feel the earth move even though it did.
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I had a good start to the day when I woke at 6am and saw the white curtains glowing pale orange over the east-facing window. I zipped out to the back yard to see a fiery sunrise. Of course I had a camera in my hand…
It’s also a day when I’m beginning a new translation requested by a publisher, though I’ve just this minute received a warning from the Australian Society of Authors about the offer. Has the publisher provided me with a contract? No. Well then, proceed with extreme caution. That’s the advice I’m heeding as I cautiously take the French story about Pierrot and Polichinelle down to the local café, translate it, drink a cappuccino and eat a croissant.
Later today I’ll think about asking for a contract. Unless there’s a brilliant sunset and I’m drawn away from the tedious details of life to admire the beauty of the sun that will rise and set no matter what we humans do.
August in Canberra is a little warmer than July when dawn was a few degrees below zero. Now we’re slowly moving back towards the sun and the wattle trees are coming out in bloom, producing bursts of bright yellow in the bushland. Today I went up Black Mountain to our telecommunication tower known as Telstra Tower, where I saw the interesting combination of our iconic wattle and the tower, a structure that can be seen from far outside Canberra, a landmark that tells travellers they’re almost here.
If we are enjoying delightful afternoons, warm enough to sit in the sun to catch ten or twenty minutes of Vitamin D infused rays, our nights are still freezing and frosty, and the further you go above sea level the frostier it is. On Black Mountain there’s a warning sign for those driving or riding or even walking up and especially down the slope in the early hours of the morning: Ice on road. When I took photos this afternoon it was a lovely 14 degrees and this cyclist was haring down the mountain, around its curves. His wheels made a loud whirring sound as he passed me.
Here’s some evidence of August’s two weathers. Yes it’s a good afternoon for riding downhill at speed, but after the night’s frost a cyclist could be sliding not riding.
Cardinal Guzman had the idea of posting a photo of changing seasons each month. Thanks Cardinal.
Back in May I blogged about a new sculpture that was set in place on Anzac Parade in Canberra as a memorial for the Boer War in South Africa (1899 – 1902). Before the official opening, the sculpture was covered in black plastic, or rather the sculptures, all four of them. It was a weird sight, especially at dusk and in the evening. The sculptures were covered for a couple of weeks, and looked like this:
Is it unusual to cover a sculpture in black plastic before a big reveal?
At last at the end of May the plastic was removed and now we have this magnificent arrangement to admire as we drive or walk past:
The sculptor, Louis Laumen, created four bronze riders and horses that for all the world appear to actually be riding out from the gum trees and down the slope towards the road. From a distance they look life-size but they’re actually larger than life. A short path at the back lets us walk around the entire group and touch the horses and riders.
Frosty gum leaves and oak leaves, fallen side by side.
I love this place. My face is icy but my neck is warmly wrapped. After days at home with a winter head cold, I’m out for a walk, cooling my cabin fever. In this early morning stroll along Anzac Parade and down to the lake, I pass ten people, each of the encounters some minutes apart. It’s strangely quiet, Canberra. It doesn’t have the buzz of the big cities, it doesn’t have the bustle. Later in the morning there’ll be buses of tourists arriving to view the memorials on Anzac Parade, and public servants will be walking between buildings and car parks. But right now as a pedestrian, I have the footpaths of the Parade virtually to myself.
A local radio station, Queanbeyan FM, frequently plays a snippet from Troy Cassar-Daley’s song I love this place. I know why they play it.
Check out Cardinal Guzman’s blog for July in Norway: https://cardinalguzman.wordpress.com/2017/07/18/the-changing-seasons-july-2017/