Today a new story has been published in Peacock Journal online, “The Enchanted Ring”, written by Catulle Mendès in 1887, translated by me. The story is in his collection, Pour lire au couvent (To Read in the Convent), which might surprise since it’s a wee bit spicy for innocent convent girls and only a little less risqué than his tales in Pour lire au bain (To Read in the Bath).
To set the scene, the Peacock Journal editors have illustrated the story with Claude Monet’s impression of Vétheuil in the outer regions of Paris in 1879. This will give readers a hint that the story works its way towards a country inn where three rich and handsome princes are resting for the night (only one of them is asleep…).
Another of my Mendès translations, “The Only Beautiful Woman”, appeared recently in The Brooklyn Rail inTranslation which you can read about in my blog post here where you’ll see a photo of Catulle Mendès standing casually in his study reading a story. Or a poem. If you don’t recognise Mendès, you might recognise his daughters from this painting by his friend Auguste Renoir in 1888, now in the Met Museum, New York:
Peacock Journal has a theme: beauty. The editors search for it in every submission. I feel fortunate and chuffed that they found it in “The Enchanted Ring”. Make your day better by popping over to read this and other stories about beauty.
… is the title of my newest translated story, published yesterday by The Brooklyn Rail inTranslation. You can read the story online: go to the website, scroll down to the translator’s note (that’s me, of course) then click on “click here to read”. You’ll then be able to enjoy The Only Beautiful Woman by Catulle Mendès, originally “La Belle du Monde” in his collection Les Oiseaux bleus.
Like Perrault and the Grimm brothers, Mendès was a great creator of fairies. In “The Only Beautiful Woman” the incurable selfishness of humans is embodied in a trifling, time-wasting princess who frightens even the mirrors that reflect her beauty.
I’m very grateful to The Brooklyn Rail inTranslation editors for publishing my work, especially since this is my second appearance in their journal. In 2015 they published my translation of Madame Gorgibus by Jean Lorrain, another story in which one character suffers from another’s selfishness. But Mme Gorgibus never sees the victory of good over evil; her story is less of a comedy than Mendès’ little tale in which mirth predominates and the ending is happy.
I invite you to read these tales; they’re old and short but memorable! If you enjoy them please let me know.
Authors today are encouraged to promote promote promote their work on a blog (and on other popular elements of social media that I don’t use). One promotional activity which hasn’t been too time-hungry and is even enjoyable is the creation of a Pinterest board with images associated with my translated works. I’ve recently read articles by two much-published authors pushing Pinterest as an author’s friend. So I tried it. When you check out my board you’ll see intricately decorated pages from the original French versions of my translated stories, like this one from La Revue illustrée, 1st June 1899, illustrated by Alfred Daguet for ‘Princesse Mandosiane’, one of the stories you can now read in English in the Eleven Eleven journal (which you’ll have to buy):
Look at the creature in the bottom left of the page doing a handstand while balancing an ‘L’ signpost in his mouth! Reminds me of the sculpted column swallowers in Romanesque churches. Such fun! Why don’t we decorate our pages any more?
Of course, for every one of my translations that’s published there are several others not accepted. Just this week I’ve received two rejections and a notice that someone is already translating some stories I’m working on. Or, rather, was working on until that moment. Submitting stories to magazines and journals has become a part-time job, taking so much time and effort that I hardly have time to translate new stories. But why write it if no one will read it? Between the writing and the reading, there must come submission, publishing and promotion. Fortunately there’s pleasure in it all!
Four years ago I began translating one of George Sand’s novels: Spiridion. She was, some say, the first French feminist. I wrote a post about her here, not because she was a feminist but because she did what people said she couldn’t do: George Sand was a female who earned her living from writing, which, if it’s difficult in the 21st century, was next to impossible in the 19th.
Two years ago I finished the translation, and SUNY Press agreed to publish it.
Today, sitting in an airport in a foreign land – an unusual experience no matter how many times I do it – I’ve received an email from them to say Spiridion is now available as an ebook from their website. I’ve had a few short translated pieces published in literary journals, but this is the first novel. It’s a morning of unusual things.
In May it will be available as a real hold-in-your-hand book. Fantastic!
Here’s the book cover and summary of the story, with a little bit about me as the translator, copied from the web page. Hope it tickles your 19th-century-French literary fancies!
An abbot’s ghost searches for an intelligent monk to exhume his manuscript from a hellish crypt and learn the truth that monks lack two things: freedom of inquiry and benevolence.
Both Gothic and philosophical, Spiridion tells the story of a young novice, Angel, who finds himself cruelly ostracized by his monastic superiors and terrified by the ghostly visits of his monastery’s founder, the abbot Spiridion. Though he founded the monastery on the search for truth, Spiridion watched his once intelligent and virtuous monks degenerate into a cruel, mindless community. Turning away from the Church and withdrawing into his cell, he poured his energy into a manuscript that tells the “truth” about Roman Catholic doctrine and monastic life and provides a vision of a new and eternal gospel. The manuscript was buried with him, and his spirit now searches for a monk who is intelligent enough to exhume it from his crypt, which is guarded by hellish spirits, and share its vision with the world.
Translated into English for the first time in more than 160 years, Spiridion offers a fierce critique of Catholic doctrine as well as solutions for living with the Church’s teachings. Although Sand had broken with the Church several years earlier, she nevertheless continued to believe in an omnipotent God, and her novel makes the distinction, as Angel’s protector, Father Alexis, puts it, “between the authority of faith and the application of this authority in the hands of men.” As translator Patricia J. F. Worth argues in her introduction, the novel’s emphasis on freedom of inquiry, benevolence, and moral reform inspired other nineteenth-century writers, including Fyodor Dostoyevsky, Matthew Arnold, and Henry James, and the novel is also relevant to twenty-first-century discussions of religious authority and rigid adherence to doctrine.
“This is an excellent translation of a tale of the supernatural by a major French author. With her searing critique of Catholicism and its labyrinthine structures, Sand in Spiridion deconstructs her culture in a way similar to what Mary Shelley has done in Frankenstein. Both works are effective as horror stories, but both can also sustain serious academic inquiry, yielding still deeper rewards. Beyond academe, serious students of religion will also find that Spiridion’s subject matter raises provocative theological questions.” — Lynn Hoggard, translator of Nelida by Marie d’Agoult
Patricia J. F. Worth is a French-English translator and private tutor of English and French. She received her master of translation studies from the Australian National University, Canberra, where she focused on nineteenth-century French literature and recent New Caledonian literature.
On the SUNY Press web page for Spiridion there’s a link to what is called the ‘first chapter’, but it will in fact take you to the introductory material. So, to read the first chapter you will have to get the book…