54 great opening lines: 7

Trembling.  It’s what I do best.

Origami, Anne Bihan (Translated by me)

*****

You may have read this short story in French.  🙂  But if you didn’t, then let me show you what it looks like in English.  The author, Anne Bihan, has given me permission to blog my translation of it, so, after dinner, I’ll post it.  If you’d like to see the original French version, go to p. 13 of the online publication, Il y a toujours une guêpe pour piquer le visage en pleurs:  http://issuu.com/ecrireenoceanie/docs/il-y-a-toujours-une-guepe

54 great opening lines: 6

The day broke grey and dull.

Of Human Bondage, W. Somerset Maugham

*****

It’s a great opening line, and it sets the mood for the book, even to the contrasting last line:

‘Cabs and omnibuses hurried to and fro, and crowds passed, hastening in every direction, and the sun was shining.’,

a line which I assume is supposed to fill the reader with optimism.  I closed this book with a groan, my mood still grey and dull.

54 great opening lines: 5

I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story.

Ethan Frome, Edith Wharton

*****

This week’s WP Photo Challenge, Kiss, prompted one blogger to tell us that his hometown isn’t a place where public kissing is encouraged.  He compared it with Starkfield in Ethan Frome.

54 great opening lines: 4

I was brought here from Senegal when I was two years old by the chevalier de B., who was then governor there.

Ourika, Claire de Duras, translated by John Fowles

*****

John Fowles was the author of The French Lieutenant’s Woman, whose opening line I posted yesterday, as no. 3.

54 great opening lines: 3

An easterly is the most disagreeable wind in Lyme Bay – Lyme Bay being that largest bite from the underside of England’s outstretched south-western leg – and a person of curiosity could at once have deduced several strong probabilities about the pair who began to walk down the quay at Lyme Regis, the small but ancient eponym of the inbite, one incisively sharp and blustery morning in the late March of 1867.

The French Lieutenant’s Woman, John Fowles

*****

If The Hobbit is one of my favourite books but far from my favourite movie, The French Lieutenant’s Woman is a favourite in both forms.  I was once obsessed with the movie, hiring it and playing parts of it over and over.  Before writing this novel, John Fowles had translated a French novel by Claire de Duras, Ourika, based on a true story about a Senegalese girl taken to Paris as a baby and raised separately within the nobility.  As she grew older she was surprised to find she lived in a culture of racial segregation.  Fowles believed that this story affected his telling of Sarah Woodruff’s tale as the fallen and outcast French Lieutenant’s Woman.

54 great opening lines: 1

There was no possibility of taking a walk that day.
Jane Eyre, Charlotte Brontë

*****

From today I’m going to attempt a self-imposed challenge:  post 54 great opening lines from books on my shelves.  After reading a post by Zany4Days about challenging himself to paint a watercolour every day for 30 days, 100 days, the whole year, I’ve decided to study the first few words in good stories, an activity which might, which should, affect my own writing.  The opening lines that I post will be in English, but not all of them will be from English-language stories.  Some will be my translations of great French opening lines.  After browsing my bookshelves, I initially chose a figure of 50, but I could possibly come up with four more and make it 54, my age from today…

I’ll begin with the first line from a novel I read when I was 13 which gave me a plan for my life, a plan I haven’t always followed but, in hindsight, I see has often followed me.  It begins with:

There was no possibility of taking a walk that day.

Ailsa's photo challenge: Gaudy Gourdy

Ailsa is challenging us to find gaudy things:  http://wheresmybackpack.com/2013/02/08/travel-theme-gaudy/

Here’s my offering, some really gourdy things!

My favourite is the one on the right.  The Scream.

Winners' table, Pumpkin Festival, Collector, NSW, 2012
Winners’ table, Pumpkin Festival, Collector, NSW, 2012

Daily Prompt: Through the window

Go to the nearest window. Look out for a full minute. Write about what you saw.

I don’t have to get off my chair for this prompt;  the nearest window is twelve inches from the back of my computer screen.  Or rather it’s a bank of windows which ‘look’, as they say, onto the front yard and the street.  But I look, and I can’t see much of either.  In a full minute, I see a small green forest, a patchwork of trees, some planted by us, others by nature.  Leaves of diverse shapes sway in a light breeze.  To the right are seven-lobed maple leaves and conventional one-lobed leaves of an unidentified shade tree which made its home where carnations once grew.  To the left, three rich green ash trees grow up beyond the roof.  The blue-grey needles of the spruce provide the only contrast, its branches inversely arching as it towers into the sky, blending with the blue heavens where today there’s no sign of fires or storms.  A good day.  From a small drawer beside the window, I take out a camera to photograph the scene and a black currawong flies into the frame and sits on a branch, keeping his eye on me.  I move to get a better view of him but he doesn’t trust me and jumps to another branch, then another, and flies away.

In this full minute I neither saw nor heard another human.  But now, as I write, toddlers are squealing and mothers chatting in the flats opposite.  Always a comforting sound, like a promise.

View_from_front_window

Ailsa's travel photo challenge: Walls

Six years ago I was in Collioure on the south-east coast of France, wandering around the outer walls of the Château Royal.  An artist had attached his paintings to the wall and I couldn’t take my eyes off them.  Alas, I didn’t buy one because my friend, another local artist, didn’t think they were the best.  But I loved this photo and have had it stuck on my wall at home all these years.  I plan to return to the region this year and perhaps this time I’ll pick up a small painting to stick to my wall.  If you like the colours, take a look at the blog header above where you’ll see the painter’s inspiration:  between blue sky and sea, under terracotta roofs and above ancient cobbled streets, the yellow and pink walled houses fill souls with sunshine and Matissey urges.

Art for sale, outer wall of the Château Royal, Collioure, France
Art for sale, outer wall of the Château Royal, Collioure, France

Check out Ailsa’s beautiful wall photography here:  http://wheresmybackpack.com/2013/01/25/travel-theme-walls/