Ailsa's travel photo challenge: Beaches

Ailsa had trouble finding a free spot to park her towel on a Seattle beach this week since everyone had gone there to catch some rays. Sometimes on the beaches of south-east New South Wales we, too, have to look carefully for a nice piece of sand to plop onto without flattening the pointillist art of tiny crabs, the fine wet sand balls surrounding their homes.

Crab hole construction, south-east coast, NSW, Australia
Crab hole construction, south-east coast, NSW, Australia

This past week I found a couple of beaches here in France that were empty of people and crabs, despite lovely warm weather. I’d like to see the crabs that could roll this gravel into balls:

Small beach near Port-Vendres lighthouse, France
Small beach near Port-Vendres lighthouse, France

I was disappointed that I had to keep my shoes on, something I never do back home; it wasn’t only the gravel that bothered me (which might in fact be good for smoothing the feet), but the litter also put me off.  I’ve been told the authorities clean the beaches every day in summer, but it is yet spring…  On the other hand, it was something special to sit looking across the top of the flat Mediterranean Sea instead of down over the huge rolling waves of the Pacific Ocean.  I’ve often thought of those waves as an analogy for life, comforted by their continual rolling and crashing that no human disaster can prevent, but if I’d grown up here beside this waveless body of water, I would’ve looked at life differently.

France is beautiful, almost everywhere, but her beaches have not stolen my heart; it still belongs to the long, white, squeaky sand beaches, often deserted (except for crabs), around the Australian coastline.

East of Málaga's photo challenge: Knobs and knockers (door furniture!)

Marianne proposes a search for interesting knobs and knockers on doors (http://eastofmalaga.net/2013/05/01/cbbh-photo-challenge-knobs-and-knockers/)

I’ve seen many in the past few days but the ones below were pretty special.

Doors, Cathédrale Sainte Eulalie et Sainte Julie, Elne, France
Doors, Cathédrale Sainte Eulalie et Sainte Julie, Elne, France
Side doors, Cathédrale Sainte Eulalie et Sainte Julie, Elne, France
See the knobs?  Side doors, Cathédrale Sainte Eulalie et Sainte Julie, Elne, France
My door handle.  It works.
My door handle. It works.

54 great opening lines: 47

First, in my spare room, I swivelled the bed on to a north-south axis.

The Spare Room, Helen Garner

*****

I heard this author talking about her book on radio and needed to know more.  If not for the radio interview, I wouldn’t have bought a book about life’s end.  But she was touching, leaving me wanting to find the book that day, buy it and read it.

There’ll be gaps in my posting for a while – I’ve moved, for a brief while, to France.  But I have access to shelves of books I wouldn’t normally read, and they might have some intriguing first lines!

54 great opening lines: 46

Mae Mobley was born on a early Sunday morning in August, 1960.

The Help, Kathryn Stockett

*****

I bought this book in a grocery store after seeing the movie trailer but not the movie.  Couldn’t put it down.  Kathryn Stockett listens to the women employed as The Help and writes what she hears.  Brilliant.  I could just about hear the women myself as I read.

54 great opening lines: 45

Was she beautiful or not beautiful?

Daniel Deronda, George Eliot

*****

I am hooked by this simple question, even re-reading it today.  The rest of the book is not simple, it’s quite hard work.  But the opening question is brilliant.

54 great opening lines: 44

What actually woke him was the unearthly sound itself – a mournful shatter of frozen midnight falling to earth to pierce his heart and lodge there forever, never to move, never to melt – but he, being who he was, assumed it was his bladder.

The Crane Wife, Patrick Ness

*****

This morning my daughter-in-law, who works in a bookshop or two, offered me three novels new on the market.  I turned each one over and read the blurb;  this one tells me nothing about the book but says simply ‘Patrick Ness is an insanely beautiful writer’, which made us laugh and look for proof.  Then we read the opening line, which was poetically wet but not beautiful, but I’m now at the end of the chapter and have found that, so far, Ness does indeed write beautiful words.  I’ll hold my judgement on how insane the beauty is.

Update:  I’ve just finished this novel and found it almost unputdownable.  A sub-story weaving through it is a bit other-worldly for me, and towards the end there’s a particular drama which continues for some pages but which is not resolved.  Yet I have to agree that Patrick Ness is a gifted writer.

54 great opening lines: 43

Henry Holden decided to get an Italian prisoner-of-war after he had seen several at work on Esmond’s farm.

The Enthusiastic Prisoner, E. O. Schlunke

*****

Another short story by Schlunke, the author of The Irling which I wrote about a couple of days ago.  This line, beginning with a very Australian name, Henry Holden, caught my attention particularly when I saw it was about an Italian P.O.W.  It triggered thoughts of some photos from my father’s war album of Italians taken prisoner by Australian soldiers.  Many of the P.O.W.s were shipped to Australia and placed in camps, and their services were offered to local farmers who greatly benefited from the Italians’ excellent knowledge of food production.  There is a photo (above) of a stream of Italians heading towards their captor’s camp.  There’s also this image of a suave bunch posing for the camera:

Italian soldiers, North Africa, c1941
Italian soldiers, North Africa, c1941

54 great opening lines: 42

I have just returned from a visit to my landlord – the solitary neighbour that I shall be troubled with.

Wuthering Heights, Emily Brontë

*****

A joyless book.  I recently read it a second time in search of at least one happy moment but found none.  Flicking through the book today, I came across passage after passage of violent thoughts.  Take these three:
* ‘Wretched inmates!’ I ejaculated, mentally, ‘you deserve perpetual isolation from your species for your churlish inhospitality.’
* He dashed his head against the knotted trunk; and, lifting up his eyes, howled, not like a man, but like a savage beast getting goaded to death with knives and spears.
* The charge exploded, and the knife, in springing back, closed into its owner’s wrist. Heathcliff pulled it away by main force, slitting up the flesh as it passed on, and thrust it dripping into his pocket.

(The first line actually begins with the date 1801, but my WordPress theme formed a large block letter of the first character which made the date look ridiculous.)

54 great opening lines: 41

While old Kronitz’s youngest son Waltie was being born without qualified assistance, the old man paced the veranda that ran around all four sides of his large, bungalow-style house, annoyed with his wife for her bad judgement after all her experience, and refusing to admit that he should have sent for the community’s wise woman sooner, even at the risk of having to pay her for a whole day while she did nothing but talk.

The Irling, E.O. Schlunke

*****

Quite a long opener of a two-sentence paragraph in a tale composed of many two-long-sentence paragraphs.  Old Kronitz dreads the irling, a mysterious twinkling light appearing on the south side of his farm during Waltie’s birth and which had appeared to his ancestors in the forests and swamps of Czestochowa in Poland.  Years later a drama develops when a fat Bavarian who considers himself an educated man arrives in Australia and buys the neighbouring property.  I was surprised by such a story about a Pole and a German, published in 1955.  It’s not hard to see where the author’s sympathies lay.

Ailsa's travel photo challenge: Contrast

This week Ailsa showed us some unicolour tulip crowds where an individual stands out yet stands proud of ending up in the wrong garden.  The photos reminded me of these two from my father’s war album.  He wrote below the first photo ‘Visit to Cairo zoo’;  it’s nicely arranged with each of the Australian soldiers positioned in the shot between pairs of Egyptian police.  A real contrast.

Australian soldiers visiting Cairo zoo, 1941
Australian soldiers visiting Cairo zoo, 1941

Below the second photo where a salesman seems to be working the tables, he wrote ‘Outside café Heliopolis’.  ‘Outside’ is an interesting adjective for that period when cafés in Brisbane, Australia, where my father lived (when not away at war), did not spread outside to the footpath in continental fashion as they do now.  Even when I was a child, there was no such thing.  The French had influenced Egyptian culture during their time as colonisers, but it took many more decades for the idea to catch on in Australia.  Even if the soldiers returned with ideas and encouraged café owners to adopt this dining practice to which our country is so climatically suited, they were slow to try it out.  These days, it’s a rare café that doesn’t have tables outside!

Australian soldiers at a café, Heliopolis, Cairo, 1941
Australian soldiers at a café, Heliopolis, Cairo, 1941