D’arcey

Tonight at 7.52 when it was 6 degrees Celsius and blowing an icy gale, I took this photo of D’arcey Richard Nottingham Shaw’s name projected onto the Australian War Memorial.  It was hard to hold my camera still in the wind, but the photo is not too bad.  D’arcey was killed in action on The Somme in France in 1917, yet he has no grave;  his remains were never found.  On his Roll of Honour card, digitally available on the A.W.M. website, it is noted that D’arcey Shaw’s wounds were the result of being buried twice from bombs bursting near him in Pozières.  How ironic that they should write that, when in the end he was buried nowhere.

DRN Shaw AWM
D R N Shaw, projected onto Australian War Memorial, 26th July 2015

Because he died defending Australia, his name was written in light for 30 seconds tonight, perhaps for my benefit alone.  As far as I know, none of his other family members live in Canberra.  Since I’m just ten minutes away, it’s easy to whip down to the Memorial and see the names when they come up between sunset and sunrise.

D’arcey was my grandfather’s cousin.  I want to remember him and his two brothers who also died in France, in the war to end all wars, because my grandfather was there too, but he didn’t die.

Nineteen-year-old D’arcey was the second son in his family to be killed in France. The first one was George, and there would be a third, Frank Percy Shaw, whose name was projected onto the War Memorial on 21st June, a night that was cool but not freezing like tonight.  I wrote about him here.

As I was leaving around the back of the Memorial I saw four kangaroos standing guard in the dark.  They’re delightful at a distance and are happy to be photographed from a car window, but if I’d got out and approached them they would have either hopped away or hopped towards me and treated me as an enemy.

Kangaroos AWM
Kangaroos at the back of the Australian War Memorial

The next date that I will have a relative’s name up for viewing is in early spring.  I’m happy knowing it won’t be another chilling evening.

*****

Frank

Last night I went to the Australian War Memorial for an 8:58 pm appointment.  At this moment, Frank’s name would be projected onto the exterior wall of the Hall of Memory, an honourable way of remembering the soldiers who died for Australia in World War One.  Every 30 seconds a new name appears.  There are 62,000 names on the Roll of Honour which will all be displayed several times between 2014 and 2018, from sunset to sunrise.

F.A.P. Shaw, projected onto Australian War Memorial, 21st June 2015

Frank was my first cousin twice removed.  Or, if you like, my grandfather’s cousin.  He was the third son in his family to be killed in action in France; the first one died in 1916, the second in 1917, and Frank in 1918.  He was 23, had been promoted to Lance Corporal, was twice recommended for decorations and was congratulated for conspicuous gallantry and daring in reconnoitring enemy positions in February 1918.  Five weeks later he was killed by the enemy on 5th April, 1918 in France.

After receiving news of the death of a third son to die on the Somme, Frank’s father asked the Defence Department to send home his personal effects.  And so, in July 1918, the effects of Frank Albert Percy Shaw were sent with the SS Barunga.  In case no. 1153 were a two-Franc note (damaged), a wallet, a note case, photos, two prayer books, a letter and a YMCA wallet cover.  On 15th July, the Barunga was torpedoed by the enemy and was lost with all cargo.  But, at last some good news, she was carrying invalided troops back to Australia, and all on board were saved.

The Barunga, with the personal effects of a number of soldiers who had died, is still sitting on the ocean floor off the Isles of Scilly, south-west of Lands End, England.

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On the way

Last week, for the first time in a long time, my son and I met for morning tea in a café, and on our way back to the car I caught sight of some writing engraved into the concrete as we stepped up on a kerb. I stooped to take a photo, and at that moment a bus turned the corner.  My son thought I was crazy, crouching down on the road, focused on photographing a bit of concrete graffiti while a passing bus was leaning into the corner.  But he was missing the magic of the moment.

Here’s what captured my attention:  a grey concrete kerb, utilitarian and ugly, made ‘beautiful’ with a few words and autumn leaves collected in the hollow of the gutter.

You are beautiful 2

Thanks WordPress for the challenge to photograph something on the way to somewhere.

Anzac Day 2015

On 25th April it will be 100 years since Australian and New Zealand soldiers charged the beaches in Gallipoli, Turkey, in an attempt to beat the Turks and give the Allies a chance to take Constantinople.  They were mown down, slaughtered.  The battles continued for months until December 1915 when they withdrew, defeated.  Out of a population of less than 5 million, Australia lost 8,000 young males at Gallipoli.

The following year, 1916, my grandfather, Ernest Bruce, joined the army after stowing away on a ship of volunteers headed for Egypt.  In July at Pozières, France, on the Western Front, he was trapped under concrete in an explosion, and then gassed.  But he survived.  He was one of the 40,000 Australians killed or wounded in 1916 on the Western Front (see AWM).  That’s a huge part of a population of 5 million.

When he returned to Australia, he was too ill to work for more than a few days a week, yet it took the government years to offer him a pension.

His oldest son was my father, Ronald Bruce, who hadn’t learnt a thing about the futility of volunteering to fight in a war.  In 1941 he joined the army, was sent to Egypt, and months later was sent home with shell shock.  He couldn’t hold down a job, and at 25 was offered a pension.

This Anzac Day, I honour my father and grandfather for volunteering to participate in Australia’s defence.

Ernest and Florence Bruce
Ron Bruce, before leaving for the Middle East, 1941
Ron Bruce, Heliopolis War Cemetery, Cairo, 1941

At the Australian War Memorial in Canberra there is a wall called the Roll of Honour.  It’s covered in the names of Australians who have died in war.  My grandfather and father are not on the wall because they returned alive;  but my grandfather’s three cousins, the Shaw brothers, and my grandmother’s two cousins, the Burley brothers, did not.  They are all buried on the Somme in France, and their names are here on the wall.  I put poppies beside their names.

Since I learnt that they were all killed while my grandfather returned, I haven’t looked at life the same way.

George Ronald Shaw, Roll of Honour, Australian War Memorial
D’arcy R. N. Shaw and Frank A. P. Shaw, Roll of Honour, Australian War Memorial

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Weekly photo challenge: Refraction

Walking beside Lake Burley Griffin this afternoon, around the back of the National Museum, I found these panels of mirrors reflecting, in a warped kind of way, rows of slim young gum trees growing near the water.  I was under the trees with a project of photographing details, but what caught my eye was this long image of the very trees I was under:

External mirrors NMA 1

What a simple way to adorn an otherwise ugly set of slopey walls:

External mirrors NMA 2

The panels create the effect of fun-house mirrors, bending and twisting the straight tree trunks:

External mirrors NMA 5

Fun to look at and fun to photograph:

External mirrors NMA 4

Sometimes the weekly photo challenge topic serendipitously coincides with my weekend outing.  I love it when that happens.

Weekly photo challenge: Texture

Judy Watson, an indigenous artist, created this sculpture, Fire and Water.  It’s textural…

Fire and Water, Judy Watson, Reconciliation Place, Canberra
Fire and Water, Judy Watson, Reconciliation Place, Canberra

You’ll find it in Reconciliation Place, Canberra, where there are a number of sculptures by Aboriginal artists.  Since this particular artwork is called Fire and Water, I’d always thought the grey object amid the fiery reeds represented a seal or dugong.  But on closer inspection today, I saw it’s not an animal, but a stone.  A gathering stone.  Muted sounds are constantly playing through small holes all over it, representing bogong moths flying in on their annual migration and people gathering to feast on them.  Michael Hewes designed the sound.

Looking between the two stands of rusty reeds, we see the National Library, one of my favourite haunts.  In this wintry season, the reeds echo the hibernating poplars in the library forecourt.  At the moment I took this photo, two jets in the fountain were working.  That was just luck;  the fountain is not always turned on.  The elements in the photo are a great example of symmetry in this city of many symmetries.

National Library of Australia and "Fire and Water" sculpture by Judy Watson
National Library of Australia and “Fire and Water” sculpture by Judy Watson

Bogong moths pass through Canberra every year in about September.  Last year they were in plague proportions, congregating on many of the national institutions in the parliamentary triangle, and particularly in Parliament House.  At night they’re attracted to the powerfully lit flagpole on top of the House.  We all had moths flying and dying in our homes, which was annoying for those of us who don’t eat them.

Since we’re thinking of texture for this week’s photo challenge, take a look at this image from another Canberra photographer, Donald Hobern, of a bogong with its fluffy head and carpet-like wings.  When they land on tree bark they’re well camouflaged.  But I can tell you, while one individual moth might look beautiful in a close-up, a crowd of brown, fluttering moths resting up in a corner of your room is not attractive.  But thanks to Judy Watson’s sculpture, I learnt that they’re edible, and even delicious, and I was reminded once again that nothing is completely ugly or useless.

Photo of  bogong moth courtesy of Donald Hobern, Canberra, Creative Commons
Photo of bogong moth (Agrotis infusa) courtesy of Donald Hobern, Canberra, Wikimedia

Take a look at more textures on the WordPress photo challenge page for this week.

One trip EVERY month: February

This month I took a trip without leaving town:  my husband and I hopped on our bikes and rode to the National Botanic Gardens.

I posted about the Gardens not long ago, here.  But what I didn’t tell you is that it’s a great place to de-stress.  Just take a look at the Eastern Water Dragon up in the header.  Is he stressed?  Nup.  He strolled up onto the café deck from the forest floor to sun himself, not at all afraid of the visitors.  The dragons are a thrill for café customers taking morning tea.  But of course you can’t go there for coffee and cake and leave without exploring the unique gardens and forests and the comprehensive collection of native Australian plants.

Up in the dry gardens, there are tall eucalyptus trees that are a living support system for other life forms like staghorns and climbing hardenbergia and fungus.  How beautiful are the burnt black and rust tones of the flaky bark on that tree I spotted near the bike racks!  It’s simply nature imitating art.  Down in the rainforest, accessible by timber steps and boardwalks, it’s darker and the atmosphere is noticeably cooler and more humid.  I read the sign telling me to ‘breathe’, and instinctively did.  The air was fresh and cool and clean.  Here, tree ferns and Stream lilies, ‘Helmholtzia glaberrima’, one of the few flowers in these Botanic Gardens, grow in lush gardens beside the stream that flows below the wooden path you’re walking on.  Writing about it makes me want to go there right now.

I wonder where March will take me!

Marianne at East of Málaga came up with this idea of taking a trip every month.  Check out her February trip post to the Rock of Gibraltar.